I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
If you enjoyed Gone Girl, I’m guessing you have a soft spot for a well-written sociopath. Jane Doe will be right up your street and then some. Jane is the kind of sociopath you can’t help but love. She’s funny, she’s misanthropic and she doesn’t care about what anyone else thinks. But best of all, Jane is on a revenge mission and despite every horrible thing she does, you’ll still love her.
Jane's days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She's just the kind of woman middle manager Steven Hepsworth likes-meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.
But plain Jane is hiding something. And Steven's bringing out the worst in her.
Nothing can distract Jane from going straight for his heart: allowing herself to be seduced…
Gone Girl started the domestic suspense trend and showed us that suspense can be driven by family/household dynamics. Louise Candlish takes this to another level in Our House when the main character comes home to find another family moving into her house. She soon discovers that her husband has sold the house from under her feet and disappeared. This is a fantastic, slow-burn literary thriller with a great ending.
On a bright morning in the London suburbs, a family moves into the house they've just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn't sell it. 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible' Clare Mackintosh, author of I See You
'Property-porn looks set to become a staple of crime fiction and Our House is an excellent example of this burgeoning subgenre. Husband and wife pass the narrative baton between them in this masterfully plotted, compulsive page-turner' Laura Wilson, Guardian…
There are many psychological thrillers out there about husbands and wives. If you search for the word ‘wife’ on Goodreads there must be hundreds of titles. But The Wife Between Us is one of my favourites. It’s clever, twisted, and plays on your expectations. From the first page, you’ll believe the book to be going one way, but then it twists in another direction altogether.
'A fiendishly clever thriller in the vein of Gone Girl and The Girl on the Train. This one will keep you guessing.' - Anita Shreve, author of The Stars are Fire
The Wife Between Us by Greer Hendricks and Sarah Pekannen is the shocking Richard and Judy Bookclub bestseller with twists you won't see coming.
Marrying a man with a past was always going to come with problems, but you never expect to become the focus of another woman's obsession.
Nellie just wanted to live the life she'd always dreamed about with Richard. But who is his ex-wife, Vanessa? Wasn't…
While this book isn’t strictly a domestic noir thriller like Gone Girl, it has a similar tone. Four Wall Street bankers find themselves trapped in an elevator after being told they’d be taking part in an escape room. However, the book is more complicated than that. With ‘then’ and ‘now’ chapters, the story gradually unfurls to show you why these people were chosen. It’s about greed, Machiavellian personalities and, at its heart, female friendship. Don’t expect this one to be a locked-room thrill ride, but do expect to be drawn in.
Welcome to the escape room. Your goal is simple. Get out alive.
In the lucrative world of Wall Street finance, Vincent, Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they'll do anything to get ahead.
When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the…
This book is difficult to describe. One part crime, the other part literary fiction and narrated by a child, Dead Girls is unlike any other thriller I’ve read. I couldn’t put it down. When Thera’s best friend goes missing, despite being eleven years old, she decides the grown-ups are doing a bad job at finding Billie and begins investigating on her own. This is a super dark tearjerker about violence towards girls and women. But do check trigger warnings because this one is disturbing.
When her best friend Billie is found murdered, eleven-year-old Thera - fearless and forthright - considers it her duty to find the killer.
Aided by a Ouija board, Billie's ghost, and the spirits of four other dead girls, she's determined to succeed. The trouble with Thera, though, is that she doesn't always know when to stop - and sometimes there's a fine line between doing the right thing and doing something very, very bad indeed.
Tense, visceral and thought-provoking, Dead Girls is the new novel from Abigail Tarttelin, the critically acclaimed author of Golden Boy.
It seems like the perfect job. Great wages, accommodation provided, and all located within the walls of Highwood Hall, a stunning stately home owned by the Howard family. Not many little girls dream of becoming a maid, but this is an opportunity for me to get back on my feet. And for me to revisit my past...But I soon realise I’ve made a mistake. On my first day, I receive a mysterious package. I open up the pretty gift box to find a miniature doll version of me trapped inside a dollhouse. In this scene I’m dead, lying in a pool of red paint at the bottom of the perfectly recreated staircase. Someone sent this threatening diorama to me, but who even knows I work at the hall? And what do they want?
I know only one truth: my perfect job is turning into my perfect nightmare.
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come face to face with an otherworldly shark-toothed assassin.
Furious to learn she’s been enlisted by a clandestine race of beings against her…
"Be prepared for a long night of reading as the story unfolds. The end will leave you wanting more." - Goodreads Reviewer
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come…
